"Italian tenor Roberto De Biasio, whose glistening, penetrating voice was heard to fine effect in Pollione's opening aria. " 

       The New York Times

“His voice is warm and sizeable, with a youthful bloom. He sang Ernani with verve and ardor but also taste.”

                                                                                                                                The New York Times

"Even more ardent was the Pollione, Sicilian tenor Roberto De Biasio. His was real bel canto singing, but with power and deep dramatic involvement, and he sounded like a young José Carreras.

One would like to see De Biasio on stage."

      Classical-scene.com

"De Biasio showed off a gleaming tenor and an appealingly natural sense of Italianate phrasing!"

The Globe

“…De Biasio has a fine tenor voice and excellent acting skills as Alfredo!” 

The Argus

     "Tenor Roberto De Basio was in splendid voice as Pollione [...} His tone was creamy-textured, consistent

                                                  and beautifully-produced from top to bottom”                                            

 Classical review

"De Biasio was incomparably more satisfactory, and revealed a sturdy, virile and attractive instrument,

a willingness to sing piano when needed and a sensitive phrasing[...]

in his aria De Biasio obtained the loudest and longest applause of the evening."

Opera Britannia

" De Biasio generously offered consistently sweet tones supported by admirable vocal heft.

It's his house debut, and he couldn't have provided a better one”

The Huffington Post

“…Roberto De Biasio as warm-toned, ardent Alfredo.” 

The Times

“…power and passion of the singing of Roberto…”

               The Daily Telegraph

“Roberto de Biasio possède un timbre brillant, une facilitè certaine dans les aigus et un style appréciable.”

OpéraMagazine

“...One feels admiration for the tenor Roberto De Biasio, of the "Bergonziana" school, for the pliancy and the ring of his high notes, and for his ability to produce both when the same notes require the "patetico" style; and for the clarity of his diction.” 

  Corriere della sera

                                                                                                                                

“…a solist on absolutely high level…one of the most stunning surprises of the entire season!” 

La Stampa

“…well-timbred voice and impeccable song line...endowed with a technique of complete emission,

secure in the upper register, capable of modulations and evocative mezzevoci, 

De Biasio shows real promise of  a complete tenor panorama.”

l’Opera

“…It is difficult to resist the timbre of tenor Roberto De Biasio, distinguished by a marked musical sensibility and by personal touches insinuated in even the most well-known passages!”

Il Gazzettino

“...towering and impassioned voice!” 

Trentino

“…Roberto De Biasio, the true surprise of this Lucia di Lammermoor, displays phrasing of style and fluent singing, in addition to offering an expressive vocal line shaped with refinement. He is a singer of intelligent   musicality, welcomed by the audience at the opening  performance with a fervour which we fully share.”    

                                                                                     

Corriere dell’Arte    

          

“…a tenor of powerful but smooth voice and exemplary diction, capable of heartfelt freshness not only in the slower lyric passages ‘Tra poco a me ricovero’ but also in the sincerity of the most dramatic passages such as ‘Son tue cifre? A me rispondi!’ sung with a thread of voice, or the moving 

‘Di chi mai, di chi piangete?”    

Corriere della sera

“...Roberto De Biasio, impeccable maestro of recitativi.”

Famiglia cristiana

                                                       

“The other most welcome surprise was brought by the tenor Roberto de Biasio, a Gabriele Adorno with an expressive and robust voice with admirable musicality, and whose characterization should be noted for its finesse, ductility, and supreme refinement with which he delivered his role.”

Ópera Actual Magazine-Spain

            

    

“...attractive for his ease and for his endowments as a tenor, more and more of a rarity these days”!”

Il Piccolo

“Roberto De Biasio remains one of the most interesting tenors of recent years. His voice is just right for an excellent Foresto and for a Verdian tenor in every respect.  His pitch is perfect for mastering a tricky passage, his phrasing precise and well-disposed, his stress incisive...the best in his field. 

He continues to be an exuberant tenor !” 

l’Opera

“Tenor Roberto De Biasio, with his dashing youth and clear, ringing voice,

was charming ― and despicable ― as Pinkerton.”  

The Korea Times

    “The young tenore Roberto De Biasio is a true discovery for his exceptionally clear timber and his   perfecting phrasing!”                           

Il Secolo d’Italia